common ground field notes

“Happy those who with their hands
bring to harvest the fruits of earth.
Blessed are we to share this food
served with loving care and faithfulness.
May we strive to share with those
whose hunger knows no end.
With thanksgiving let us be as good as God
for others.”

~ Monks of Weston Priory - table grace before meals.


Parallel to summer’s transition into autumn is the season of harvest. In northern New England, the liminal fall season is swift and bright. Successions of agricultural fairs happen throughout the region, remaining very popular with all ages. In the State of Maine, some of the largest country fairs occur as early as the first of August- such as the Skowhegan State Fair, which is nearly 200 years old. Though sharing many similarities, no two fairs are alike; they vary in dimension and in their emphases. For countless Mainers and visitors to Maine, the Common Ground Fair best represents the fruits of fall. Sponsored by the Maine Organic Farmers and Gardeners Association (MOFGA), which is 40 years old this year, the fair’s popularity has much to do with its uniqueness.

Over the years, the Common Ground Fair has grown into its own 200-acre fairgrounds (near the town of Unity, Maine), continuing to draw exhibitors who cultivate organic farms, raise free-range farm animals, and produce energy-saving structures and household goods. Woven into these annual events are musical and educational events, instructional demonstrations of practical skills, and children’s festivities. Consistent with the fair’s ambience, there are no carnival rides and all the food is locally grown. Instead of cotton candy, there are maple-sugared peanuts- and honey-sweetened lemonade. One year, I had a chance to taste blueberry butter which was savory and memorable! Another year, I got to try my hand at an apple cider press. This year, realizing how many times I’ve gone to the Common Ground Fair, I decided to make some new photographs to go with some I’d made on my earliest visits. When we find that we’ve created traditions of our own, then we can connect personal historic reference points. Photographing a country fair, in its entirety, would take many dozens of pictures; there just isn’t enough space! As well, within so much visual interest, by making a place one’s “own,” the eye is drawn to what it most favors. Here are a few images:

I made the 2 photos below in 1982, as an aspiring teen art student!

At the heart of an agricultural fair, there is livestock and produce. Demonstrations include oxen-pulls, sheep-shearing, horse shows, and the very popular sheep dog events. In the photo immediately above, the sign near the potato baskets reads, “Raised in Atkinson Maine on land that has been free of all chemicals for 25 years.”

Portland's Big Sky Bakery was at the fair, with herbal spiced bread.

Having a ready notebook at the fair is exceedingly useful. A palm-sized Field Notes journal perfectly suits the occasion. There are recipes to record, quotations from discussions and speakers to note, addresses to copy down, and in between browsing there are fresh thoughts to harvest. Human countenances bright with autumn light. Among the old friends I see at the Common Ground Fair, there are always inspiring ideas that would be more elusive in the city. Briny, salty, and paved Portland is nicely balanced by pine, sweetgrass, and earthen Waldo County.

The following set of photos shows an aspect of great enjoyment at the fair: the sharing of skills. The original organizers of the fair saw the event as a way to compare notes about organic farming and gardening. Mentoring also finds its place by way of imparting time-honored ways of bread baking, stenciling, furniture and canoe building, producing yarn, and numerous additional skills. These are just a few. One year, while watching a blacksmith’s demonstration, I got the idea to do my own version of this type of delivery- with bookbinding- and have followed through at many conferences and book festivals.

Showing us all how it's done, country fair style.
Are you taking notes?

To go with the fair’s fascinating and informative demos, a major draw to Common Ground is the music. At the gates of the fairgrounds, the large signboards inform visitors of events and their respective locations. I look for the music performances and write down times and tents. Over the years, I’ve enjoyed great folk music by local acts, such as Ti-Acadie, the Gawler Family, Gordon Bok, Castlebay, and Crooked Stovepipe. Then there are the musicians who are not on the schedule- playing their instruments around the fairgrounds and adding to the sum of the day’s colors.

Photo above is from 1982; photo below is from last week.







Above, members of the Gawler Family;
below, a hymn-sing after a shape-note lesson.

Homemade wares for sale include soaps, crafts, tools, jewelry, art works, baskets, and furniture. A cottage business called Alder Stream custom-produces backpacks. I first saw these at last year’s Common Ground Fair- dutifully writing down the details in my notebook. This time, I decided to order one, and with Jane Barron’s patient assistance we looked over materials and took some measurements. By next month, my handmade backpack will be mailed to me- complete with side pockets for camera gear, and a vertical interior pocket made to the size of an A5 notebook. And a water-resistant liner. A writer’s special, Jane added, and a treasure for future journeys. Amidst cultivated crops, traditions are renewed, sources are sown, and more shall be written.

graphite et polyvalent

Readers of these pages may know of my respect for the author of the Pencil Revolution blog. I was very glad to be able to submit a review at the invitation of a blog I've admired for years.
The entry is found here: Review of General's Layout Pencil. It is always a pleasure to encourage writing friends everywhere. Writers, as well as craftspeople, understand the value of process en route to the creative work we do.

bookbinding and journaling.

vermont field notes

"The miracles in fact are a retelling in small letters
of the very same story which is written across the whole world
in letters too large for some of us to see."

~ C.S. Lewis, Miracles, essay from God in the Dock.

New beginnings are discovered in many shapes and forms. As varied as our individual tastes can be addressed, so are we each inspired such that our souls are spoken to directly. Upon taking to the roads for long-awaited time off, I packed the usual provisions for two weeks away. Among the clothing, provisions, and reading, I added a blank notebook. A small, pocketable, single-signature memo book, appropriately commemorating my westerly destination: the State of Vermont. I’ve made two trips there, in the recent six weeks. My change of scenery from my home on the Maine coast is to sojourn to the Green Mountains of Vermont. And pristine new pages indicate travels to be engaged. There will be something to write about, something new to begin. I try remembering the wisdom of seeing the wider journey as a trusting motion, humble as it is, that advances from one beginning to another.

The action of taking to the road has its own connotations as a new beginning. Weather and surface conditions are more ingredients than detriments. The retreat begins by celebrating open roads that lead to hearts’ desires. If daily doldrums warrant writing, how much more are adventures means for documentation. I’d brought the larger journal with me which I’d been writing in since the middle of the summer, along with my typewriter. With the small Field Notes book, I began by dropping in slips of paper and jotting notes at stopping places along roads, forest trails, and the Weston Priory.

The little book began to look like something of a scrapbook, then as a kind of handbook with needed maps and itineraries. Adding it into pictures, the book resembled a passport. The working, unfinished document en route to becoming an archival document. Archival records begin with their “useful lives,” when the documents are needed in a person’s or organization’s daily operations- until the records become “noncurrent,” and thus “evidence” of that which they document. Now I see my document as artifact, and through the pages I can recall the mountains, rivers, and skies that surrounded my steps.

A gather of fresh pages provides a clean slate. New canvasses are neutral until we begin to make them our own. It is up to our creativity to discover and add meaning to the life given and its resources. Perhaps you, too, made picture albums and decorated your notebooks with stickers, back in school. We make things our own by adapting and altering materials of daily life. Look at how many motor vehicles are intriguing rolling scrapbooks. The manufactured car becomes “my car,” as a wooden table with a drawer becomes “my desk.” Then there are living, breathing places. If you live in New York, what is “your New York?” It will be distinct from the millions of others who might say, “my New York.” A great topic for your journals could be a list of what your (fill in the place name) is, in your own words through your own experience.

As for me, I would need far more than only one Maine memo book! I daresay my “Maine field notes” threads together all my journals since I began writing. But that’s no deterrent to trying. My Vermont begins with mountain roads, rolling landscape, the Long Trail, friendly towns, and pine air. Places that inspire writing. The outdoors in all seasons. Looking back sixteen years and to the present, the heart of “my” Vermont remains the Weston Priory, the Benedictine monastic community that is never far from my thoughts.

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Above: I make sure to note the times of prayer at the Priory.



Below: Inadvertently, I unusually marked the location of the Priory
with an appropriate non-cartographic symbol...

If it isn’t their stewardship of their environment, or their wise and inspiring words, or the countless friends I’ve met there, it’s their melodies that accompany my steps wherever I travel in this world.

Place can transcend physical space, when it becomes our “own.” We experience the places we write about, and our recorded interactions go forth with us. When I reached Weston this recent time, I gave one of the brothers- who writes beautiful poetry- a Maine Field Notes memo book. We had a good laugh about writing in books that represent the other person’s home. Brother Augustine immediately recognized the motifs of old-fashioned agricultural notebooks, later stopping to talk about how it conveniently fits in his jacket pocket. This got us talking about how writing is integral to our work days. A great many of us do this, applying ideas from one facet of life to another. Pencils shorten in succession, as strings of words extend their trails. I completed the notebook, shortly after getting home from a second trip to Vermont- this time to help a close friend who is a college chaplain with a community event.

Winter now at our doorsteps, my little autumn chronicle is complete. The writing exercise is something I’d do again and highly recommend. Completing so compact a project, closing this small loop, has been surprisingly gratifying. I’ll remember Brother Augustine encouraging me to keep on writing, “with a good sharp pencil!” It’s all grist for the graphite mill. Indeed, the sums of our sojourns are subsumed by our inner odometers.

files and foliage

for the road

“There is no real contemplation of God unless it is followed by a glance upon the world.”
~ André Pinet, Benedictine monk of Saint-Bénoît sur Loire, France

publication and gratitude