sound

“A person’s music is seen as a means of restoring the soul,
as well as confused and discordant bodily afflictions,
to the harmonic proportions that it shares
with the world soul of the cosmos.”

~ Plato, The Timaeus

While pandemic life has grounded elaborate plans and ambitions, simple attainments are also made difficult. Now thinking back through eight months of triage, distancing, and working amidst bunkering, I make note of the narrowed horizons. My optimistic travel plans drawn up last winter were humbled into crosstown errands. Indeed, I’m merely one of countless many that are scaled down to the brass tacks of personal safety and the earning of sustenance- all within the context of isolation. Hopefully it will not become necessary to have to choose between the two vital aspects of health and employment. It takes as much vigilance and resourcefulness to stay productive as it does to keep well. But as time irretrievably passes, though it may appear as such, quite clearly nothing stands still. Time continues cascading over all the stopped progress. There is so much to accomplish, but very few things can actually be done. The focus is survival.

Even at the outset of these times of lockdowns and related hardships, I noticed the prevalence of contrasts. As social malevolence manifested and broadcast itself, those who chose generosity emerged as bright exceptions. Humanity scrambles between the extremes of exploitation and mercy, while the natural world keeps vigil. And in this portion of my own vigil, as I keep watch in this night, my thoughts turn to the place held by sound in these times. Just as I recall the completely silent skies immediately after the 11th of September 2001, the first and most eerie aspect I noticed as the world began locking down in March was the desolate quiet of the streets.

The absence of sound is cause for notice, and so is the welcome presence of assuring sound. But this is surely not to say that quiet cannot be comforting. Just as there are welcoming forms of silence, there are also pleasant sounds. Several nights ago, the transformation into the late-autumn became pronouncedly audible to me, as I was awakened by wind and rainstorm-rattling windows. It was a reminder of sounds I’ve always liked. Soothing sounds provide an effect resembling fresh air. It’s a calming, accompanying presence. Indeed, not all sounds have these properties- even in the same categories. Radio, a lifelong companion, can be as much of a conduit of good reminders and wonder as it can be a prism of abrasion. A few weeks ago, I listened to Schumann’s Forest Scenes for the first time, and was so taken by the music and its performance that I stopped working so that I could better savour the sounds. I have a rather irrational habit of looking at the radio, when I want listen more clearly; I looked and listened. This particular radio station does not always broadcast music I find appealing. Normally, it’s a kitchen sink of classical pop: lots of martial-sounding rat-a-tat-tat “classical” orchestral music- regardless of time of day or night. Contrasting the sounds that I find to be sweet and textural- with cellos, harmonies, and counterpoint- are the pieces I call “music that needs to be oiled.” That latter category speaks for sounds that are scratchy, whining, and cacophonous that cause me to switch stations- or just choose some silence. It doesn’t make sense to opt for more annoyances than what already exists, especially in this chaotic era.

Pythagoras famously said, “Either be silent, or say something better than silence.” And by my lights, in this context, better is to say: consoling, life-giving, or perhaps even constructive. Surely a subjective and highly individualized definition. The quiet at five in the morning, with my coffee and breviary, is an expectant silence pointed toward newness and hope. A sound as subtle as the dulcet hiss of cars passing along my street is something I find soothing. So is the wind through the trees, familiar soft voices, birds, the scribing of my writing on paper, my percolator that converts sound into aroma, my landlady’s footsteps from upstairs, and foghorns from the waterfront. Part of why I’ve always loved walking and perching at the ocean’s edge, aside from the vistas, are the sounds of the water. The tides will determine the forces of crashing waves, along open seas. Then there are the sheltered inlets, with much quieter stirrings. With eyes closed, my imaginings are of an affectionate ladling of a large seaweed soup, the rounded stones clacking under the waters’ pulling. Such sounds transcend pandemics and hardships. Beyond material provisions, resourcing myself also includes knowing where to find consoling sounds.

The light and weather of November suddenly brought to mind one particular long-distance road trip I made. Having to cover 1300 miles in 2 days, I drove more than 750 miles in a straight shot, with just 3 brief fuel stops. The highways between western New York State and northeastern Ohio were imperiled by a fierce winter storm, but I reduced speed and stayed my course. I kept the windows defrosted and the radio on, gripping the steering wheel and bonding with my rental car. Finally reaching my planned destination, parking in a snow drift next to a hotel and shutting off the engine, I instinctively closed my eyes. The driving was intense and my catharsis was equally pronounced. Walking to a nearby diner to decompress and replenish, the restless fatigue was later finally solved when I saw that my small hotel room had a real bathtub. Part of that perfectly consoling and soapy hot bath was in the sound of the water, reminding me of home, while the winter weather continued pelting at the windows. Before retaking the road the next morning, I dined with fellow guests in the breakfast room.

The hotel, on the following morning.

Sharing meals with strangers in a common room, replete with convivial sounds of voices and crockery, is now an impossible enjoyment. Surviving the pandemic has brought about alienation from our travels and from one another. The timbres and tones of humanity are severely curtailed. The last time I was compressed in a crowd was in late-February at Boston’s North Station. My thoughts were not occupied with contagion, but rather with getting a good seat on the train. Nobody would’ve expected that crowd noises would become something rarified. And so rarified that when major league sports resumed to play their abnormal and abbreviated seasons, they would be doing that in empty arenas against the backdrop of canned crowd noises (to audiences of cardboard photos of spectators). Listening to some of the baseball games on the radio had me wondering about broadcast technicians splicing together enough sounds of sports fans to create many hours of banal background noise. What an odd testament to the greater oddness and unreality of isolation. It also attests to how important pleasant and assuring sounds are to so many, reminding us of our wishes. We search for comforts while carrying a nostalgia for a better future. Within the need to be resourced for survival is our comprehension of sound: choosing away from what injures the soul- as much as possible- and choosing toward strength and inspiration.

songs in the night

“He said within himself-
Surely, if men be tried and troubled exceedingly,
it is because, while they think about their troubles and
distress themselves about their fears, they do not say,
‘Where is God my Maker, who giveth songs in the night?’”

~ Charles Haddon Spurgeon, Songs in the Night

Winter winds have returned recollections to me that highlight reminders of many late nights ago. In the process of becoming a self-possessed high school student in the early 1980s, I developed a habit of staying awake late into the night. Being the only soul awake in the house, I’d perch at my desk with school art projects spread on the surface- with the radio nearby. The volume was kept low, out of respect, as well as to enjoy the quiet. Even New York City tones itself down very late at night. My tastes have always tended to times long preceding mine. History and depth were always understood to be intertwined. After all, une histoire means “a story,” too. Elder teachers, family members, and neighbors had the most captivating stories with matching dramatic recitative voices. Coming of age at a crossroads was somehow clear to me, and I would ponder this during my midnight musings, already longing for more warmblooded times. In the graininess of night, books, outer clothing, and satchel rested still as granite, but the radio was on. Before AM broadcasting became fully infested with political pugilists, much of the programming gave airspace to local commentators. New York’s abundant airwaves were resplendent with stories, reminiscences, and musings- in between round-the-clock news stations and music. Perhaps the older radio personalities also thought themselves at crossroads.

Listening to calming tones eases the environment and creates an oasis in time. Indeed, as sound is involved, spoken and musical content must soothe, lest the frequency be changed to another station. In my farthest memories- and there still exists some of this today- I’ve enjoyed live broadcasts during which the radio hosts reflect with anecdotes, or converse with guests, or place verbal interludes among music selections, or address the audience as a counterpart. “How in the world are you?” was how King’s College president Robert A. Cook would begin each of his radio offerings. The more interesting commentators display a signature style. Some have been able to make their commercials into entertaining extensions of their shows. Art Raymond, on WEVD, would advertise sponsoring eateries and tell the audience what to order at these businesses.

During dark and solitary hours, the earth and all its life forces continue unceasingly. I knew this from my window, at my desk, with the radio on. Such diversions are able to distract individuals away from making life’s boundaries into something as narrow as a table surface. My radio imaginings would include picturing the sources of the broadcasts. Studios are ensconced in large downtown office buildings, with announcers and technicians awake through the night hours. Some of them tell us how cold it is outside, and about traffic patterns on the roads and bridges. Through all the textbook diction, I could detect local accents. I remember how I could hear Richard Gladwell puffing on his pipe amidst gentle narratives within his classical music show. To this day, I often look at the radio while listening; perhaps many others do this, too. The gesture is similar to that of respectfully eyeing the person speaking to you.

This Philips radio from France has the perfect home in my apartment, with a slanted back
that exactly matches wall's angle.

Among our treasures we find our own iconography: gifts, heirlooms, and the finds that for us mean more than their surface appearances. Indeed, material is inherently temporal, but meaning is transcendently enduring. Only through personal experience can the iconographic aspects of places, things, sounds, and even thoughts be discovered and realized. It is for each of us to comprehend meaning and grasp that which is solid in our spirits. Radio is at least as endlessly fascinating to me as it is to see a photographic image manifest in a tray of developer. Even after all these years. There are technical and scientific explanations for these processes, yet the magic of retrieving sound signals from the air exceeds rationalization.

A radio’s purpose is to clearly receive a range of frequencies, and it must be tuned and positioned to make reception possible. And the goal of the radio’s purpose is for a person’s ability to listen. Radios have no memory. They do not store their commodities. Like cameras, they are instruments designed to register the moment. If such objects are considered in an iconographic context, we can ascribe our personal memories to these instruments. You may see a Realistic Chronomatic 9, but I always see the 15th birthday gift from my father. He offered to buy a television for me, but I said I’d rather have a radio. Over the years, I’ve added a few antiques, and find it remarkable how well they continue to work daily- thus defying the culture of manufactured obsolescence.

Providing company at work. The G.E. radio (top right),
a gift from my lifelong best friend, has accompanied me
through schools, studios, apartments, and many workplaces.

From my nighttime desk, the warmth of quiet music emanating from my radio aperch by the arching lamp, the new year stretches out before me. True to ascribed iconography, the small Grundig on my desk is understated yet far-reaching. It reflects this very instant, having neither past nor future. Yesterday’s news, scores, and statements are forgiven. Brightly through night hours, sounds of Mozart sweeten the horizonless abyss. Its life is a constant update; times and temperatures are always of the moment. The parable of the radio is one of receptivity and discernment, with static cleared away. Winter’s deeps remind us that above reportage and ads are angelic messengers bearing words of assurance. Mystery steeps our midst, and we’ve but to merely acquiesce.

A bright morning near the radio at The Palace Diner,
in Biddeford Maine.

airwaves

“It’s not true I had nothing on.
I had the radio on.”

~Marilyn Monroe


When welcoming a houseguest, I try to share as much of my living space as possible. For most of my adult life, I lived in 2 ½ rooms. More books meant less furniture, but it was always neat and tidy. Guests always got the room with the bed surrounded by bookshelves, and I’d take the dining area. Recently with a visiting family member, I followed the same custom of creating a welcoming space. Yesterday, I thought of how monastic houses balance shared and private spaces. I remembered how the common spaces are entered and passed through, with a warm sense of deference. I set aside the morning essentials from off my desk, before bidding my guest goodnight. Early the following day, I noticed myself quietly camped on my livingroom floor, with coffee, journal- and radio. The always-faithful wireless: iconic and useful, with the ready steadfastness of a portable typewriter. Radio often reminds me of who I am and what I am. I comprehend, therefore I interact with this world. With selections and references of my own, I listen.

broadcast presence

Despite all the scientific explanations, the very idea of radio signal reception remains magical to me. The little rectangular box usually perched on my desk can be dialed to faraway broadcasts transmitted through the air. On shortwave, sounds from continents away visit my writing surface. So much is conveyed with seemingly very little. The little box of batteries, numbered dials, speaker, and transistors accompanies me around the house- and out on the front stoop. Radio retains many of its time-honored attributes, and is still somehow an intimate form of media. The operas, the pop tunes, the narratives, the cheering fans, and the chimes of Big Ben (at the top of each hour)- all mingle in the stratosphere.

My mother likes to humorously point out how we tend to look at the radio as we listen. We gather around the sounds that visit our habitations. Long predating the Web, radio is freely accessible 24 hours a day. Live programming is immediate, and does not require reloading a page. Commercials can be turned down. The best sportscasters are assigned to radio, which is only as effective as the human ability to articulate is successful. Intrinsically neutral, the broadcast medium presents both troubling and calming voices. The format lends itself to use and misuse. We can engage the airwaves to find what speaks to our sensibilities.

personal connotations


Beyond the radio as an object, it is a subject replete with profound connotations. As an archivist, cataloguing a manuscript requires that I describe the item as well as the subjects pertaining to the item. What does the object mean? Radio broadcasts are accessible through other avenues, along with traditional receivers. A few years ago, during an immense blizzard in Vermont, I stopped at an inn for a break from my treacherous drive. The British innkeepers had no guests that day, and served tea while nostalgically recalling their beloved BBC. I showed them how they could listen through their computer. In their ecstatic gratitude, they offered me a place for the night- and moved their desk computer to where they could listen to the “Beeb” with their tea. Radio is still radio. A vacuum-tube Marconi from the 1930s can bring you next year’s World Series.

Radio listening has an inherent time-travel aspect. Not simply via music and archival rebroadcasts (both sources of enormous wealth), but also in current programmes in a style of another time. Mystery Theater and Twilight Zone Radio represent new manifestations of a long tradition of thrillers in the “theater of the mind.” National Public Radio’s lively quiz shows and the much-loved Prairie Home Companion endure with off-the-cuff literary wit that has long-since disappeared from television. New Englanders are regularly regaled by the seasoned voices of Jordan Rich (WBZ), and Steve LeVeille (also WBZ)- both of whom are endeared to their countless listeners. They represent a demeanor from an era that fused spontaneity, directness, and a high regard for decorum. Rare and not shrill. Encouraging and not alarmist. Good listening is an exercise of memory, as well as an understanding of significance. Weighing ideas is an opening to interpret the world. The spoken word without pictorial footage lends well to imagination. An amusing juxtaposition would occur during early-morning commutes in rural Maine, during which I could pick up frenetic Boston traffic reports. Turning off the sound, I’d glance again at the dairy farms and pastures around me. Truly, the newswatch never stops, and radio reminds me to remain awake to the present, reference the past, and participate in life’s developing story. Always making notes- mental and otherwise, I continue to collect words, sounds, and anecdotes.

accompaniment

As personal essentials are determined, it is easier to know what travels along. Radio goes with me on every major travel, be it in or out of the country. With every locality, there is always something to listen to, reminding me of where I am. In Europe, it’s a cornucopia of languages. On returns from cross-country road trips, I move across NPR (or Radio Canada) affiliates, until I get within range of my New England favorites. Familiarity comes by sound and cadence. Radio has accompanied me at all my jobs, studios, apartments, cars, and has echoed through every darkroom I’ve worked in. It is a medium without moorings. Being a postmodern, radio has always had a suggestion of being something a bit antiquated. As a teen, my parents offered to give me a television of my own. To their surprise, I gratefully said no, and asked for a table radio instead. I still have it, and the sound is as rich as ever. After one of his enthralling monologues, I wrote a letter to Gene Burns- with a matted landscape I printed for him- to say thank you. I told him that his programme was something of a graduate education in the liberal arts. He wrote a memorable letter back to me. Assuredly, my life’s influences include some of those golden voices inspiring worlds of words and oration. To be immersed in depths of musical and verbal sounds also inspires a life of listening.

“Hello, Mr. Radio, you friendly station,
So glad of your company, your morning music...
Your voice comes riding home across the air,
You travel 'round the world, but still you're here”.

~ Jeff Lynne, Mister Radio