Friday, June 24, 2011

selah




“Two o’clock p.m.
The clock has let me know
I owe it for last week.
I’ve been punching in and out so much
My card is losing its heartbeat...

I underestimate the freedom You have given
in the open bars.
For life and love to play its course
inside the measure
of Your breaking arms

and rest, two, three, four...”


~ Sarah Masen, Break Hard the Wishbone









(Below: my pencil points to the word, "selah," in the Psalms.)




(Can you see counterforms among the typographic forms below?)


















Tuesday, June 14, 2011

beacon hill





“The reach must always exceed the grasp.
The heart must forever be throbbing for an attainment
that lies beyond any present consummation.
It is the ‘glory of going on,’
the joy of discovering unwon territory
beyond the margin of each
spiritual conquest.”


~ Rufus Jones, The Inner Life


Each day is unique and should be a fresh start. This morning’s front page is not yesterday’s. But do we have distinguishable news items, and is it fair to expect and find ameliorations to our daily stories? Yes, it is; and it is also well worth cultivating a discipline of observation. The way to work has only so many variations on the basic route. But in a real sense, just as the day is unique, it is not the same way through the same places. During the lunch hour of noting words in my journal, I chose an old familiar perch. But the day varies context and backdrop. From the second floor window of the coffeehouse, sheltered from the rain, pedestrians’ umbrellas appeared as twirling spoked mushroom caps. Varying my vantage point permits perception practice. The street below revealed textures I hadn’t noticed at ground level. Looking north between office buildings, I recognized a steeple four neighborhoods away, standing at the horizon.






Discovery isn’t simply finding something entirely unfamiliar: it’s also noticing newness in the usual. Surely terra incognita is immediately in our midst. Perhaps you, too, can pinpoint some of your own historic realizations. Our discoveries are for us to store in our hearts and fuel our fires. Last week I enjoyed the double-privilege of residing with the Quaker community in the Beacon Hill Friends House and studying the 17th century works of Richard Baxter at the Boston Athenaeum nearby. The Friends live in the same building as their sanctuary. When I had my first look at the space, with sunlight and verdant colors streaming in from the back garden, my impression halted my steps. I was immediately reminded of my first-ever visit to Taizé, France- which followed two days of traveling, preceded by months of planning: from dusty summerbaked roads, I entered the Taizé monastery’s church and was swept by the combination of beautiful colors, the ambience of the space itself, and the fact that I had really arrived. Discovery has ways of finding us. The Friends’ environment has a similar eloquent simplicity, however in a much smaller and purposefully unadorned space. A new lived experience in a very familiar place.



A week of new horizons in well-known worlds provided respite and insight alike. Between daily visits to the Athenaeum I could stroll the hilly streets unencumbered, having a neighborhood place to leave bags, books, and typewriter. And I could visit with friends, without calculating a same-day return to Maine. There was plenty of time to listen well. Even my handwriting slowed down. The Athenaeum’s rare books room, open only on weekdays, was yet another place of discovery in a library I’ve known for a dozen years. After reading all I could borrow of Baxter’s in circulating collections, it was time to meet the treasures he published in his own lifetime. Requesting to use the special reading room paralleled my query for staying with the Quakers.






More occasions of quiet wonder, with tomes opened for me by scrupulous curators revealing pages printed more than 350 years ago. From the London printer Thomas Parkhurst’s hands to mine, a 21st century bookbinder from Maine, I could barely imagine the readers in between. And could those writers have imagined what New England would become? How about a Quaker Meeting House sharing a neighborhood with Congregational, Catholic, and Episcopal churches- and a synagogue? All this, and a separation of church and state. Baxter would’ve marveled at that. The books- and a 17th century style of protracted-sentenced English- filled many of my daytime hours. I took numerous notes in permissible pencil. A few of these books are also accessible in scanned form, but I found the originals so much easier to navigate. I could glance quickly between prefatory notes and texts. The paper itself gently reflects light. Another area of fascination is the marginalia; little markers to confirm steps in the forest.



Serendipity manifests in ways such as when we realize new acquaintances share similar friends and affinities. Simultaneously our worlds draw nearer while doors open. The serendipitous can also find its way into the bookbindings of printed words. After a solid week of Baxter’s writing- and sensing more of the spirit in the words- I signaled for the last of the books I’d requested. Recognizing the tome as being a bound collection of pamphlets, I looked for the contents list as a finding-aid for the volume. On my way to the Baxter item, in this bundle of random 17th century items, the item immediately preceding Baxter caught my eye. It was a captivating polemic by one John Alexander, something I’d never have found if not for the serendipity of perusing books. With special permission, I photographed the title page. In fact, Alexander’s words, along with how I began imagining Alexander as a person, upstaged the last Baxter piece, and my last few hours were absorbed by this personal discovery.



Time passes astonishingly quickly on sojourns like these. It seems there is a special time zone we inhabit when we are enthralled, and it runs quite opposite to the ones that prevail in schools and employment. As the week drew to a close, I brought a mutual friend of the Beacon Hill Friends House to visit me there, and another mutual friend back in contact with the Athenaeum. And I took a good long walk, finally away from Beacon Hill, my thoughts filled with all I’d intensely read. Back Bay, the Public Gardens, Copley Square, and Commonwealth Avenue- all well-trodden by my old steps- were suddenly easier to enjoy with my leisurely paces.



Beacon Hill has sent me back to the fray with some new strength. I’ve learned how Valley Street can wend up to higher ground. Places of respite are way-stations. These are places in which it is possible to stop, gather, and rejuvenate so that the pilgrimage of trust on earth may be taken up again. Intermissions seem all-too-brief, but it is consoling to know of many refuges that are easy to reach. Last week reminded me to notice discoveries in all forms. The Quaker community, through many spirited conversations, reminded me of kindred spirits. When you think you may have become as jaded as this culture appears to be, you can discover that it is still possible to experience wonder, and that is helped by seeing wonder in others around you. I’ve found myself reading and writing in silence more than before- and to write more slowly. On the northbound return train, my thoughts turned to friendships, newness and excavated finds in the old and familiar. New directions on the old way home.








Tuesday, May 31, 2011

rock paper scissors



"A box without hinges, key, or lid,
Yet golden treasure inside is hid."


~ J.R.R. Tolkien, The Hobbit


With the return of pleasant weather and more passable surfaces, the new season invites our travelling dreams. Road-trips may be of any duration- an afternoon or several weeks; ten miles or a thousand. For the moment, here is a place just an hour north of Portland, in the coastal town of Wiscasset, Maine- and a fine oasis loved by its customers: Rock Paper Scissors. The locally-owned stationer is now in its 10th year. Stopping in, as I like to do, for pencils and a friendly greeting, I asked the owner's permission to spotlight her shop on this blog. And we begin right here (below) on Wiscasset's Main Street:





Erika Soule (at left in the photo above) is the founder-owner of the shop. A Wiscasset native, her inspiration for opening the shop connects her commitment to making her livelihood in her hometown, her love of paper and art, and- as she says- being surrounded by things she loves. She began by selling bookbinding supplies, and housewares, and finally chose to focus on stationery and writing materials. "Buy what you love," she added, "and hopefully people will show up." Indeed, we do show up. The good word of an unusual, eclectic, and sophisticated inventory combined with the shop's neighborly atmosphere draws customers from hours away. Erika refers to regular customers who "make the pilgrimage." (In the above photo Erika, her customer, and I got into a conversation about typewriters- somehow- and that's my Olympia SF  visiting the shop counter during one of my road trips!)



A view of the shop's arrays of journals, handmade papers, ephemera, and writing tools.




I asked Erika about the shop's most popular items. She began with pens such as Microns, LePens, "Aquarollers," by Itoya, and Pilot Varsity disposable fountain pens- all of which she demonstrated. Greeting cards are also very popular with all ages. In the photo above, Erika described the Apica "Twin Ring" journals which have become very popular, along with standby Rhodia and Moleskine blank books of varying sizes and paper styles. Quattro journals are another newly sought-after item.




Not to be missed, there is fuel for the graphite appetite. Erika's shop has long been my source for Craft Design Technology HBs. Pictured below are some amazing sculpted artifacts entirely made of graphite. These are unique items, each hand-carved.



In the photo below, Erika is writing with a graphite "branch." These tools do not smear or stain hands!





More popular items with customers are Japanese masking tapes (above) and journaling binders (below). The decorative tapes have more of the feel of a thick version of Magic Tape, and can be repositioned, and are entirely unlike what many of us know as painters' masking tape. Erika says these fly off the shelves!





Items such as these are enjoyed by all ages. The shop's customers include elementary-school-aged children, and span the generations.


As it may be evident by these pictures I took, people come to the shop looking for creative ideas. Being a longtime customer myself, I can attest to this serendipitous aspect of visiting Rock Paper Scissors. It seems there is always something new to try and people with whom to talk about the tools.



...and there's the shop's mascot and able assistant, Abby...





Along Route 1, just north of Bath, Maine, Rock Paper Scissors is at 68 Main Street (Route 1) in Wiscasset (the Prettiest Village in Maine), and their number is 207.882.9930.
(As yet, there is no web site.)



Thursday, May 26, 2011

lumen vitae




“Your word is a lamp to my feet
and light to my path.”


~ Psalm 119:105



When grey days outnumber the sunny spells at about 12:1, brightness stands out. We naturally take note of contrasts. In the crepuscule, light sources are sought. Severity generates hunger for splendor. As shining faces, sunflowers pivot and lean toward the light that nourishes their countenances. Silence savors music, and cacophonous racket craves solitude. I’ve just come from providing a consultation for a future museum to be housed in an immense textile mill complex. A major part of interpreting the lives of millworkers and their industries is to understand how these manufactures operated. Resembling the ruins of a walled medieval city, advancing deeper into the labyrinth-like buildings, corridors, chambers, and stairs, the environment proportionately darkened.



Finally, in the cavernous bowels beneath acres of century-old brick, iron, and timber structures I saw the subterranean waterways that were built to channel river rapids. The curators call these “lagoons.” One can just imagine the workers’ suffocating days in such confines, along with the deafening noise-level they must have endured. But now all is stilled, deserted, and somber. Emerging through levels of thick flooring and conveyors, glimpses of sun through slotted portals dazzled. The experience was one of reaching surface to light and air. I’ve needed a good long walk to be able to expel the mill’s stagnant acrid odors.


So stark of a contrast between spaces of thick sightless void and open skies prompts a strong impression in the form of gratitude for natural light. What exemplifies brightness? This has been in my thoughts during these slate days. We image that which we crave. In the absence of strong light, what says “brilliance” to you? This week, when there were precious slivers of time to close my eyes, I’d ask myself to identify brightness. What sparkles through shadowed spans? Yesterday, while writing in a coffeehouse, I looked up from my notebook and noticed contrasts between dimmed exteriors and convivial human sounds. Bright marks against a darkly opaqued canvas. The man who repairs my car was at the next table, dining with his wife. He recognized me before I realized who he was, due to this unusual context. A genuine smile of kindness is indeed luminous. Savory victuals are brightly spiced, as are fledgling leaves that emerge from rainstorms. New ideas that excite have the brilliance of found treasure.





Later in the day, I asked a writer friend to express brightness. “The beach on an August day,” she replied, as we both looked across Commercial Street at a fog bank. “And tulips,” she added, “that’s bright.” Then we compared notes about ice-glazed trees, candles, and windows with sweeping views. Bright as delicate pastries flanked by utilitarian coffee; beaming lighthouses on beaten crags. Images to sustain souls and refuel lanterns.




Friday, May 20, 2011

like a river to the sea




“I asked not the reason for this grief,
understanding well that it was unknown.
For grief is ever begotten of Time that, flowing,
has not shaped its fruit.
Grief is there for the mere flux of empty days.”

~ Antoine de Saint-Exupéry, The Wisdom of the Sands.